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The most complete 7-limit just tuning employs all smaller primes. |
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This tuning omits the 5-limit thirds and sixths that are staples of Western harmony. This tuning makes available the ratio 64/63, a 27-cent interval from unison. This small interval from unison is unusual among just tunings. |
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This tuning omits the 3-limit fourths and fifths that are staples of harmony, leaving no close equivalents. |
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This tuning dispenses with octave-equivalency. Symmetry is based instead on the larger interval of the twelfth. Western fifths, fourths, thirds, and seconds are omitted. The familiar chords of close Western harmony are omitted. The consistent distance between adjacent pitches is an interesting characteristic. The largest such interval is only 27% larger than the smallest. Additional intervals fall so close to those already on the chart as to be superfluous. Based on only odd harmonics, this tuning may lend itself to single-reed instruments such as clarinets, that produce terraced rather than sawtoothed sound waves. |
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Symmetry is based on interval of the twelfth. Most Western intervals and chords are omitted. |
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Symmetry is based on interval of the seventeenth. Most Western intervals and chords are omitted. |
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Send suggestions or comments to: aloe@rev.net.
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