The diatonic genus of heptataonic (7-note) scales includes the scales that can be played on a sequence of white keys of a keyboard (of a standard piano, organ, harpsichord, accordion, etc.), without skipping.
The music of ancient Greece employed various rhythms and scales, some of which remain in common use today. (The intervals were worked out mathematically.) The Greeks recorded their scales as descending sequences of pitches. Medieval scholars misinterpreted the text of Boethius, reversing the Greek scales into ascending sequences of pitches. Although the set of scales in the genus remained substantially the same, different names were attached to most of those scales.
These modes have become associated with various phenomena. This table shows some of the original characteristics:
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Last revised: 15 October 2010